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• ART FRONTIER

  Vol. 3 No. 4 (2025)

  This issue articles spanning traditional painting techniques, modern ink art, art education, and cross-cultural aesthetics. Ding Han systematically analyzes six principal water-outlining patterns in Chinese painting, tracing their evolution from stylized forms to naturalistic expression. Kong Dexiao and Lu Yuchen reconsider Huang Binhong's landscapes through Heidegger's concepts of world and earth. Xu Sihan explores Chen Zizhuang's aesthetic thought rooted in Daoist and Confucian philosophy. Additional contributions examine art's role in rural revitalization through Wang Wanbin's practice and contemporary ceramic art's transformative potential. Together, these articles reflect the field's methodological diversity and sustained engagement with both tradition and modernity.