From Linear to Plane: A Study of the Evolution of Chang Dai-chien’s Artistic Style During His Overseas Period

Abstract

The predominant approach to the study of Chang Dai-chien in the history of modern Chinese art lies in historical verification, yet in recent years stylistic analysis has become a focal point in the research of art history. The transformation of style from linear to planar is a significant characteristic of Chang Dai-chien’s artistic creations during his overseas endeavors. This article conducts research in the following aspects: the genesis of Chang Dai-chien’s ink and splashed color style during his overseas period (1949-1956), Western modern art and artists’ influence on Chang Dai-chien’s ink splattering and color splattering style, the influence of ocular ailment on Chang Dai-chien’s splashed-ink and splashed-color artistic style, and formation of Chinese-Western fusion splash ink painting. The study of artistic styles during his overseas period not only facilitates a profound understanding of his artistic thoughts and creative methods but also offers insights and inspiration for the development and inheritance of modern Chinese art.